The post Beyoncé Scores Her Eighth Solo No. 1 Album With “Cowboy Carter” appeared first on OMG Check It Out !.
]]>Cowboy Carter climbed to the top with 407,000 equivalent album units earned during its debut week. SEA units comprise 232,000 (equaling 300.41 million official streams), while traditional album sales comprise 168,000, and TEA units comprise 7,000. With 62,000 vinyl copies sold, Cowboy Carter earned Beyoncé her largest week on vinyl.
Queen B also set several personal milestones with Cowboy Carter, which scored her the largest streaming week of her career. It’s also her eighth solo album to hit No. 1 on the Billboard 200 chart, and she tied with Janet Jackson for the fourth-most chart-topping albums among women soloists.
Cowboy Carter also hit No. 1 on Billboard’s Top Country Albums chart, making history as the first album by a female Black artist to rise to the top. She previously became the first Black woman to top the Billboard Hot 100 and Hot Country Songs charts with a country song with its lead single “Texas Hold ‘Em”.
The post Beyoncé Scores Her Eighth Solo No. 1 Album With “Cowboy Carter” appeared first on OMG Check It Out !.
]]>The post Beyoncé’s “Cowboy Carter” Will Make You Fall in Love With Country All Over Again appeared first on OMG Check It Out !.
]]>Cowboy Carter has often been referred to as Beyoncé’s country album, but she makes it clear it’s more than that from the very first song. The album’s gospel-infused opener “American Requiem” sees her opening up about not feeling at home on the country scene, while also making it clear she’s here to put down roots.
Her rendition of The Beatles’ “Blackbird” sees her bringing some of country’s overlooked Black female artists on board, but it’s not even the best cover this album has in store. Her take on Dolly Parton’s classic “Jolene” created quite a splash, and her bold interpretation sees her standing her ground and warning the titular heroine to back off.
Beyoncé did a great job championing other artists on Cowboy Carter, and amazing collaborations are one of its strongest suits. She brought everyone from Dolly Parton and Linda Martell to Post Malone and Shaboozey on board, but the Miley Cyrus duet “II Most Wanted” is definitely one of its shiniest moments.
Needless to say, Beyoncé also shows the moment of brilliance all on her own. In addition to previously released singles “Texas Hold ‘Em” and “16 Carriages”, she gave us several more amazing songs that cement Cowboy Carter as a masterpiece, starting with “Bodyguard” and “Protector”.
At 27 songs, Cowboy Carter never feels too long, because they work in perfect harmony, seeing Beyoncé masterfully weave a story about country’s Black roots, paying homage to those who came before her and made this genre what it is. It’s a perfect reminder that there’s truly nothing she can’t do, and it’s another tour de force in her unmatched discography.
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]]>The post Beyoncé Teases “Cowboy Carter” With Two New Album Covers appeared first on OMG Check It Out !.
]]>The first cover Beyoncé shared with the world is a direct reference to its predecessor Renaissance. Both covers show her riding a horse, but she’s wearing a red, white, and blue outfit this time around, paired with a cowboy hat and boots, while an American flag waves in her hands.
Beyoncé also unveiled an alternative cover, which sees her wearing a sash that reads “Act II Beyoncé” instead of “Cowboy Carter”. She’s rocking a braided hairstyle and smoking a cigar against a black background on the second cover.
Beyoncé also shared a lengthy statement explaining that her new album is a clapback to being told she doesn’t belong in country music. She described it as a “Beyoncé album” and not just a country album, and promised it has some amazing collaborations in store.
“I have a few surprises on the album and have collaborated with some brilliant artists who I deeply respect. I hope that you can hear my heart and soul, and all the love and passion that I poured into every detail and every sound,” she explained.
Cowboy Carter will hit the shelves on March 29, and its release was preceded by singles “16 Carriages” and “Texas Hold ‘Em”.
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]]>The post Beyoncé Announces the Title of Her Next Album “Cowboy Carter” appeared first on OMG Check It Out !.
]]>When Beyoncé initially announced her upcoming eighth solo album, it was known simply as Act II, but that’s no longer the case. She shared an image that features a saddle photographed against a black background, which confirms her next album will be called Cowboy Carter.
This piece of information confirms something we’ve known all along – Beyoncé’s next album will see her going full country. Her set designer Es Devlin previously told British Vogue that she “wanted to reappropriate Americana and country music from a Black perspective” by incorporating cowboy-inspired imagery during the Renaissance Tour.
She’s taking things to a whole new level with Cowboy Carter, which already produced one major country hit. “Texas Hold ‘Em” was released as the album’s lead single, and it hit No. 1 on the Billboard Hot 100 chart, in addition to transforming Beyoncé into the first Black woman with a No. 1 song on the Hot Country Songs chart.
Act II: Cowboy Carter will be released on March 29, and it will also feature the previously released single “16 Carriages”.
The post Beyoncé Announces the Title of Her Next Album “Cowboy Carter” appeared first on OMG Check It Out !.
]]>The post Beyoncé Makes Billboard Hot 100 Chart History With “Texas Hold ‘Em” appeared first on OMG Check It Out !.
]]>“Texas Hold ‘Em” initially debuted at No. 2 on the Billboard Hot 100, but climbed to No. 1 during its second week on the chart. It attracted 29 million streams, 16.1 million radio airplay audience impressions, and sold 29,000 downloads between February 16-22.
The success of “Texas Hold ‘Em” is quite historic because it transformed Beyoncé into the first Black female artist to top the Hot 100 with a country song. This country banger was released as one of two singles from her upcoming album Renaissance Act II, along with “16 Carriages”. The rest of the album will be released on March 29, and it will reportedly see Beyoncé making a shift to country music.
“Texas Hold ‘Em” marks Beyoncé’s ninth single as a solo artist to hit No. 1 on the Billboard Hot 100 chart, joining the likes of “Break My Soul”, “Single Ladies”, and “Crazy in Love”. She also notched four chart-topping songs as a member of the girl group Destiny’s Child.
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]]>The post Beyoncé is Going Country With Her Next Album “Renaissance Act II” appeared first on OMG Check It Out !.
]]>Beyoncé used this year’s Super Bowl to tease new music in the best way possible. She appeared In Verizon’s commercial alongside Veep actor Tony Hale, and tried to break the internet by opening a lemonade stand, running for president, and flying off to space, before finishing things up by saying “drop the new music”.
Shortly after her Verizon ad wowed the Super Bowl crowd, Queen B took to social media to announce that Renaissance Act II is on the way. She shared a teaser inspired by Wim Wenders’ cult film Paris, Texas, which wrapped up with the opening beats of her new song “Texas Hold ‘Em”.
This song gave us a taste of Beyoncé’s new country sound, but it’s not the only new single she shared with the world. Slow-burn ballad “16 Carriages” hit the shelves at the same time. They’ll both be featured on her next album Renaissance Act II, set to hit the shelves on March 29.
The post Beyoncé is Going Country With Her Next Album “Renaissance Act II” appeared first on OMG Check It Out !.
]]>The post Beyoncé Shares New Song “My House” in “Renaissance” Film Credits appeared first on OMG Check It Out !.
]]>Beyoncé opens this track with a monologue, “I will always love you, but I will never expect you to love me when you don’t love yourself. Let’s heal the world, one beautiful action at a time, this is real love!” before delivering an epic hip-hop-infused anthem inspired by her Houston roots.
The-Dream, who collaborated with Beyoncé on such songs as “Single Ladies” and “Break My Soul” helped her bring “My House” to life, and he’s credited as its co-writer and producer. This is Beyoncé’s first solo single since the release of Renaissance, and it comes months after her Travis Scott collaboration “Delresto (Echoes)” from the rapper’s latest album Utopia.
Beyoncé’s highly-anticipated Renaissance concert film finally came out on December 1. It earned $11.6 million on its first day and is projected to gross $20–25 million during its opening weekend. Both critics and fans welcomed it with open arms, and it currently holds a 100% approval rating on Rotten Tomatoes.
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]]>The post Beyoncé Teases the Release of “Renaissance” Film With a New Trailer appeared first on OMG Check It Out !.
]]>Renaissance: A Film By Beyoncé is hitting the shelves on December 1, and it will take us inside the final Renaissance concert at Arrowhead Stadium in Kansas City, Missouri. It will also feature behind-the-scenes footage and the highly-anticipated visuals that Queen B’s fans have been awaiting since the release of her seventh album Renaissance.
According to the film’s official synopsis, the Renaissance World Tour created a sanctuary for freedom and shared joy for more than 2.7 million fans. This concert film will capture the journey that Beyoncé embarked on during this tour and encapsulate “her creative mind and purpose to create her legacy, and master her craft.”
Renaissance World Tour took place between May 10 and October 1 and featured 56 dates across Europe and North America. It earned a total of 579.8 million to became the second highest-grossing tour by a female artist, behind Taylor Swift’s The Eras Tour, which also inspired an accompanying concert film earlier this fall.
The post Beyoncé Teases the Release of “Renaissance” Film With a New Trailer appeared first on OMG Check It Out !.
]]>The post Beyoncé’s “Renaissance World Tour” is Getting Its Own Concert Film appeared first on OMG Check It Out !.
]]>Beyoncé followed in the footsteps of Taylor Swift and joined forces with AMC Theatres to make this concert film happen. She produced it through her company Parkwood Entertainment and is expected to receive 50% of box office grosses, just like Swift.
According to its official logline, Renaissance: A Film by Beyoncé “is about Beyoncé’s intention, hard work, involvement in every aspect of the production, her creative mind and purpose to create her legacy, and master her craft.”
In addition to featuring the footage from Beyoncé’s latest tour, this concert film will also finally give us a glimpse of music videos she recorded for the long-awaited visual album Renaissance, according to Variety.
Beyoncé’s Renaissance World Tour kicked off in Stockholm, Sweden back in May and it included a total of 56 dates before ending its run in Kansas City, Missouri this Sunday. It made history as the highest-grossing tour by a female artist of all time, in addition to setting the record for the highest one-month gross.
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]]>The post 2023 Grammy Awards: Harry Styles & Lizzo Win Album and Record of the Year, While Beyoncé Makes History appeared first on OMG Check It Out !.
]]>Beyoncé was the most-nominated artist at this year’s Grammys with nine nods, and she eventually walked away with four awards: best dance/electronic recording (“Break My Soul”), best dance/electronic album (Renaissance), best traditional R&B performance (“Plastic Off the Sofa”) and best R&B song (“Cuff It”).
Harry Styles had to beat tough competition, including Adele, Bad Bunny, and Lizzo, to win the album of the year with Harry’s House. Lizzo missed out on this award, but still had a reason to celebrate after winning record of the year with “About Damn Time”.
Bonnie Raitt delivered one of the night’s most shocking moments when she won song of the year with “Just Like That”. Another surprise came in the best new artist category, with the jazz singer Samara Joy defeating Måneskin, Anitta, and Latto to win this award.
The 65th Annual Grammy Awards were held at the Crypto.com Arena in Los Angeles on February 5, with Trevor Noah hosting the festivities for the third time.
Album of the Year
Harry’s House
Harry Styles
Best New Artist
Samara Joy
Record of the Year
About Damn Time
Lizzo
Song of the Year
Just Like That
Bonnie Raitt
Best Pop Solo Performance
Easy On Me
Adele
Best Dance/Electronic Music Album
Renaissance
Beyoncé
Best Rap Album
Mr. Morale & The Big Steppers
Kendrick Lamar
Best Música Urbana Album
Un Verano Sin Ti
Bad Bunny
Best Pop Duo/Group Performance
Unholy
Sam Smith & Kim Petras
Best Country Song
‘Til You Can’t
Cody Johnson
Best Country Album
A Beautiful Time
Willie Nelson
Best R&B Song
Cuff It
Beyoncé
Best Pop Vocal Album
Harry’s House
Harry Styles
Best Traditional Pop Vocal Album
Higher
Michael Bublé
Best Dance/Electronic Recording
Break My Soul
Beyoncé
Best Rock Performance
Broken Horses
Brandi Carlile
Best Metal Performance
Degradation Rules
Ozzy Osbourne Featuring Tony Iommi
Best Rock Song
Broken Horses
Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
Best Rock Album
Patient Number 9
Ozzy Osbourne
Best Alternative Music Performance
Chaise Longue – Chaise Longue
Wet Leg
Best Alternative Music Album
Wet Leg
Wet Leg
Best R&B Performance
Hrs & Hrs
Muni Long
Best Traditional R&B Performance
Plastic Off the Sofa
Beyoncé
Best Progressive R&B Album
Gemini Rights
Steve Lacy
Best R&B Album
Black Radio III
Robert Glasper
Best Rap Performance
The Heart Part 5
Kendrick Lamar
Best Melodic Rap Performance
WAIT FOR U
Future Featuring Drake & Tems
Best Rap Song
The Heart Part 5
Kendrick Lamar
Best Country Solo Performance
Live Forever
Willie Nelson
Best Country Duo/Group Performance
Never Wanted To Be That Girl
Carly Pearce & Ashley McBryde
Best New Age, Ambient, or Chant Album
Mystic Mirror
White Sun
Best Improvised Jazz Solo
Endangered Species
Wayne Shorter & Leo Genovese, soloist
Best Jazz Vocal Album
Linger Awhile
Samara Joy
Best Jazz Instrumental Album
New Standards Vol. 1
Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton & Matthew Stevens
Best Large Jazz Ensemble Album
Generation Gap Jazz Orchestra
Steven Feifke, Bijon Watson, Generation Gap Jazz Orchestra
Best Latin Jazz Album
Fandango At The Wall In New York
Arturo O’Farrill & The Afro Latin Jazz Orchestra Featuring The Congra Patria Son Jarocho Collective
Best Gospel Performance/Song
Kingdom
Maverick City Music & Kirk Franklin
Best Contemporary Christian Music Performance/Song
Fear Is Not My Future
Maverick City Music & Kirk Franklin
Best Contemporary Christian Music Album
Breathe
Maverick City Music
Best Gospel Album
One Deluxe
Maverick City Music & Kirk Franklin
Best Roots Gospel Album
The Urban Hymnal
Tennessee State University Marching Band
Best Latin Pop Album
Pasieros
Rubén Blades & Boca Livre
Best Latin Rock or Alternative Album
MOTOMAMI
Rosalía
Best Regional Mexican Music Album (Including Tejano)
Un Canto por México – El Musical
Natalia Lafourcade
Best Tropical Latin Album
Pa’lla Voy
Marc Anthony
Best Americana Performance
Made Up Mind
Bonnie Raitt
Best American Roots Performance
Stompin’ Ground
Aaron Neville With The Dirty Dozen Brass Band
Best American Roots Song
Just Like That
Bonnie Raitt
Best Americana Album
In These Silent Days
Brandi Carlile
Best Bluegrass Album
Crooked Tree
Molly Tuttle & Golden Highway
Best Traditional Blues Album
Get On Board
Taj Mahal & Ry Cooder
Best Contemporary Blues Album
Brother Johnny
Edgar Winter
Best Folk Album
Revealer
Madison Cunningham
Best Regional Roots Music Album
Live At The 2022 New Orleans Jazz & Heritage Festival
Ranky Tanky
Best Reggae Album
The Kalling
Kabaka Pyramid
Best Global Music Performance
Bayethe
Wouter Kellerman, Zakes Bantwini & Nomcebo Zikode
Best Global Music Album
Sakura
Masa Takumi
Best Children’s Music Album
The Movement
Alphabet Rockers
Best Audio Book, Narration, and Storytelling Recording
Finding Me
Viola Davis
Best Spoken Word Poetry Album
The Poet Who Sat By The Door
J. Ivy
Best Comedy Album
The Closer
Dave Chappelle
Best Musical Theater Album
Into The Woods (2022 Broadway Cast Recording)
Best Compilation Soundtrack For Visual Media
Encanto
(Various Artists)
Best Score Soundtrack For Visual Media (Includes Film And Television)
Encanto
Best Score Soundtrack for Video Games and Other Interactive Media
Assassin’s Creed Valhalla: Dawn Of Ragnarok
Best Song Written For Visual Media
We Don’t Talk About Bruno [From Encanto]
Best Contemporary Instrumental Album
Empire Central
Snarky Puppy
Best Instrumental Composition
Refuge
Geoffrey Keezer, composer (Geoffrey Keezer)
Best Arrangement, Instrumental or A Cappella
Scrapple From The Apple
John Beasley, arranger (Magnus Lindgren, John Beasley & The SWR Big Band Featuring Martin Aeur)
Best Arrangement, Instruments and Vocals
Songbird (Orchestral Version)
Vince Mendoza, arranger (Christine McVie)
Best Recording Package
Beginningless Beginning
Chun-Tien Hsia & Qing-Yang Xiao, art directors (Tamsui-Kavalan Chinese Orchestra)
Best Boxed Or Special Limited Edition Package
In And Out Of The Garden: Madison Square Garden ’81 ’82 ’83
Lisa Glines, Doran Tyson & Dave Van Patten, art directors (The Grateful Dead)
Best Album Notes
Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)
Bob Mehr, album notes writer (Wilco)
Best Historical Album
Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)
Cheryl Pawelski & Jeff Tweedy, compilation producers; Bob Ludwig, mastering engineer (Wilco)
Songwriter of the Year, Non-Classical
Tobias Jesso Jr.
Best Engineered Album, Non-Classical
Harry’s House
Jeremy Hatcher, Oli Jacobs, Nick Lobel, Mark “Spike” Stent & Sammy Witte, engineers; Randy Merrill, mastering engineer (Harry Styles)
Producer Of The Year, Non-Classical
Jack Antonoff
Best Remixed Recording
About Damn Time (Purple Disco Machine Remix)
Purple Disco Machine, remixer (Lizzo)
Best Immersive Audio Album
Divine Tides
Eric Schilling, immersive mix engineer; Stewart Copeland, Ricky Kej & Herbert Waltl, immersive producers (Stewart Copeland & Ricky Kej)
Best Engineered Album, Classical
Bates: Philharmonia Fantastique – The Making Of The Orchestra
Shawn Murphy, Charlie Post & Gary Rydstrom, engineers; Michael Romanowski, mastering engineer (Edwin Outwater & Chicago Symphony Orchestra)
Producer Of The Year, Classical
Judith Sherman
Best Orchestral Performance
Works By Florence Price, Jessie Montgomery, Valerie Coleman
Michael Repper, conductor (New York Youth Symphony)
Best Opera Recording
Blanchard: Fire Shut Up In My Bones
Yannick Nézet-Séguin, conductor; Angel Blue, Will Liverman, Latonia Moore & Walter Russell III; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
Best Choral Performance
Born
Donald Nally, conductor (Dominic German, Maren Montalbano, Rebecca Myers & James Reese; The Crossing)
Best Chamber Music/Small Ensemble Performance
Shaw: Evergreen
Attacca Quartet
Best Classical Instrumental Solo
Letters For The Future
Time For Three; Xian Zhang, conductor (The Philadelphia Orchestra)
Best Classical Solo Vocal Album
Voice Of Nature – The Anthropocene
Renée Fleming, soloist; Yannick Nézet-Séguin, pianist
Best Classical Compendium
An Adoption Story
Starr Parodi & Kitt Wakeley; Jeff Fair, Starr Parodi & Kitt Wakeley, producers
Best Contemporary Classical Composition
Puts: Contact
Kevin Puts, composer (Xian Zhang, Time for Three & The Philadelphia Orchestra)
Best Music Video
All Too Well: The Short Film
Taylor Swift
Taylor Swift, video director; Saul Germaine, video producer
Best Music Film
Jazz Fest: A New Orleans Story
(Various Artists)
Frank Marshall & Ryan Suffern, video directors; Frank Marshall, Sean Stuart & Ryan Suffern, video producers
Best Song for Social Change
Baraye
Shervin Hajipour
The post 2023 Grammy Awards: Harry Styles & Lizzo Win Album and Record of the Year, While Beyoncé Makes History appeared first on OMG Check It Out !.
]]>The post Beyoncé Scores Her Eighth Solo No. 1 Album With “Cowboy Carter” appeared first on OMG Check It Out !.
]]>Cowboy Carter climbed to the top with 407,000 equivalent album units earned during its debut week. SEA units comprise 232,000 (equaling 300.41 million official streams), while traditional album sales comprise 168,000, and TEA units comprise 7,000. With 62,000 vinyl copies sold, Cowboy Carter earned Beyoncé her largest week on vinyl.
Queen B also set several personal milestones with Cowboy Carter, which scored her the largest streaming week of her career. It’s also her eighth solo album to hit No. 1 on the Billboard 200 chart, and she tied with Janet Jackson for the fourth-most chart-topping albums among women soloists.
Cowboy Carter also hit No. 1 on Billboard’s Top Country Albums chart, making history as the first album by a female Black artist to rise to the top. She previously became the first Black woman to top the Billboard Hot 100 and Hot Country Songs charts with a country song with its lead single “Texas Hold ‘Em”.
The post Beyoncé Scores Her Eighth Solo No. 1 Album With “Cowboy Carter” appeared first on OMG Check It Out !.
]]>The post Beyoncé’s “Cowboy Carter” Will Make You Fall in Love With Country All Over Again appeared first on OMG Check It Out !.
]]>Cowboy Carter has often been referred to as Beyoncé’s country album, but she makes it clear it’s more than that from the very first song. The album’s gospel-infused opener “American Requiem” sees her opening up about not feeling at home on the country scene, while also making it clear she’s here to put down roots.
Her rendition of The Beatles’ “Blackbird” sees her bringing some of country’s overlooked Black female artists on board, but it’s not even the best cover this album has in store. Her take on Dolly Parton’s classic “Jolene” created quite a splash, and her bold interpretation sees her standing her ground and warning the titular heroine to back off.
Beyoncé did a great job championing other artists on Cowboy Carter, and amazing collaborations are one of its strongest suits. She brought everyone from Dolly Parton and Linda Martell to Post Malone and Shaboozey on board, but the Miley Cyrus duet “II Most Wanted” is definitely one of its shiniest moments.
Needless to say, Beyoncé also shows the moment of brilliance all on her own. In addition to previously released singles “Texas Hold ‘Em” and “16 Carriages”, she gave us several more amazing songs that cement Cowboy Carter as a masterpiece, starting with “Bodyguard” and “Protector”.
At 27 songs, Cowboy Carter never feels too long, because they work in perfect harmony, seeing Beyoncé masterfully weave a story about country’s Black roots, paying homage to those who came before her and made this genre what it is. It’s a perfect reminder that there’s truly nothing she can’t do, and it’s another tour de force in her unmatched discography.
The post Beyoncé’s “Cowboy Carter” Will Make You Fall in Love With Country All Over Again appeared first on OMG Check It Out !.
]]>The post Beyoncé Teases “Cowboy Carter” With Two New Album Covers appeared first on OMG Check It Out !.
]]>The first cover Beyoncé shared with the world is a direct reference to its predecessor Renaissance. Both covers show her riding a horse, but she’s wearing a red, white, and blue outfit this time around, paired with a cowboy hat and boots, while an American flag waves in her hands.
Beyoncé also unveiled an alternative cover, which sees her wearing a sash that reads “Act II Beyoncé” instead of “Cowboy Carter”. She’s rocking a braided hairstyle and smoking a cigar against a black background on the second cover.
Beyoncé also shared a lengthy statement explaining that her new album is a clapback to being told she doesn’t belong in country music. She described it as a “Beyoncé album” and not just a country album, and promised it has some amazing collaborations in store.
“I have a few surprises on the album and have collaborated with some brilliant artists who I deeply respect. I hope that you can hear my heart and soul, and all the love and passion that I poured into every detail and every sound,” she explained.
Cowboy Carter will hit the shelves on March 29, and its release was preceded by singles “16 Carriages” and “Texas Hold ‘Em”.
The post Beyoncé Teases “Cowboy Carter” With Two New Album Covers appeared first on OMG Check It Out !.
]]>The post Beyoncé Announces the Title of Her Next Album “Cowboy Carter” appeared first on OMG Check It Out !.
]]>When Beyoncé initially announced her upcoming eighth solo album, it was known simply as Act II, but that’s no longer the case. She shared an image that features a saddle photographed against a black background, which confirms her next album will be called Cowboy Carter.
This piece of information confirms something we’ve known all along – Beyoncé’s next album will see her going full country. Her set designer Es Devlin previously told British Vogue that she “wanted to reappropriate Americana and country music from a Black perspective” by incorporating cowboy-inspired imagery during the Renaissance Tour.
She’s taking things to a whole new level with Cowboy Carter, which already produced one major country hit. “Texas Hold ‘Em” was released as the album’s lead single, and it hit No. 1 on the Billboard Hot 100 chart, in addition to transforming Beyoncé into the first Black woman with a No. 1 song on the Hot Country Songs chart.
Act II: Cowboy Carter will be released on March 29, and it will also feature the previously released single “16 Carriages”.
The post Beyoncé Announces the Title of Her Next Album “Cowboy Carter” appeared first on OMG Check It Out !.
]]>The post Beyoncé Makes Billboard Hot 100 Chart History With “Texas Hold ‘Em” appeared first on OMG Check It Out !.
]]>“Texas Hold ‘Em” initially debuted at No. 2 on the Billboard Hot 100, but climbed to No. 1 during its second week on the chart. It attracted 29 million streams, 16.1 million radio airplay audience impressions, and sold 29,000 downloads between February 16-22.
The success of “Texas Hold ‘Em” is quite historic because it transformed Beyoncé into the first Black female artist to top the Hot 100 with a country song. This country banger was released as one of two singles from her upcoming album Renaissance Act II, along with “16 Carriages”. The rest of the album will be released on March 29, and it will reportedly see Beyoncé making a shift to country music.
“Texas Hold ‘Em” marks Beyoncé’s ninth single as a solo artist to hit No. 1 on the Billboard Hot 100 chart, joining the likes of “Break My Soul”, “Single Ladies”, and “Crazy in Love”. She also notched four chart-topping songs as a member of the girl group Destiny’s Child.
The post Beyoncé Makes Billboard Hot 100 Chart History With “Texas Hold ‘Em” appeared first on OMG Check It Out !.
]]>The post Beyoncé is Going Country With Her Next Album “Renaissance Act II” appeared first on OMG Check It Out !.
]]>Beyoncé used this year’s Super Bowl to tease new music in the best way possible. She appeared In Verizon’s commercial alongside Veep actor Tony Hale, and tried to break the internet by opening a lemonade stand, running for president, and flying off to space, before finishing things up by saying “drop the new music”.
Shortly after her Verizon ad wowed the Super Bowl crowd, Queen B took to social media to announce that Renaissance Act II is on the way. She shared a teaser inspired by Wim Wenders’ cult film Paris, Texas, which wrapped up with the opening beats of her new song “Texas Hold ‘Em”.
This song gave us a taste of Beyoncé’s new country sound, but it’s not the only new single she shared with the world. Slow-burn ballad “16 Carriages” hit the shelves at the same time. They’ll both be featured on her next album Renaissance Act II, set to hit the shelves on March 29.
The post Beyoncé is Going Country With Her Next Album “Renaissance Act II” appeared first on OMG Check It Out !.
]]>The post Beyoncé Shares New Song “My House” in “Renaissance” Film Credits appeared first on OMG Check It Out !.
]]>Beyoncé opens this track with a monologue, “I will always love you, but I will never expect you to love me when you don’t love yourself. Let’s heal the world, one beautiful action at a time, this is real love!” before delivering an epic hip-hop-infused anthem inspired by her Houston roots.
The-Dream, who collaborated with Beyoncé on such songs as “Single Ladies” and “Break My Soul” helped her bring “My House” to life, and he’s credited as its co-writer and producer. This is Beyoncé’s first solo single since the release of Renaissance, and it comes months after her Travis Scott collaboration “Delresto (Echoes)” from the rapper’s latest album Utopia.
Beyoncé’s highly-anticipated Renaissance concert film finally came out on December 1. It earned $11.6 million on its first day and is projected to gross $20–25 million during its opening weekend. Both critics and fans welcomed it with open arms, and it currently holds a 100% approval rating on Rotten Tomatoes.
The post Beyoncé Shares New Song “My House” in “Renaissance” Film Credits appeared first on OMG Check It Out !.
]]>The post Beyoncé Teases the Release of “Renaissance” Film With a New Trailer appeared first on OMG Check It Out !.
]]>Renaissance: A Film By Beyoncé is hitting the shelves on December 1, and it will take us inside the final Renaissance concert at Arrowhead Stadium in Kansas City, Missouri. It will also feature behind-the-scenes footage and the highly-anticipated visuals that Queen B’s fans have been awaiting since the release of her seventh album Renaissance.
According to the film’s official synopsis, the Renaissance World Tour created a sanctuary for freedom and shared joy for more than 2.7 million fans. This concert film will capture the journey that Beyoncé embarked on during this tour and encapsulate “her creative mind and purpose to create her legacy, and master her craft.”
Renaissance World Tour took place between May 10 and October 1 and featured 56 dates across Europe and North America. It earned a total of 579.8 million to became the second highest-grossing tour by a female artist, behind Taylor Swift’s The Eras Tour, which also inspired an accompanying concert film earlier this fall.
The post Beyoncé Teases the Release of “Renaissance” Film With a New Trailer appeared first on OMG Check It Out !.
]]>The post Beyoncé’s “Renaissance World Tour” is Getting Its Own Concert Film appeared first on OMG Check It Out !.
]]>Beyoncé followed in the footsteps of Taylor Swift and joined forces with AMC Theatres to make this concert film happen. She produced it through her company Parkwood Entertainment and is expected to receive 50% of box office grosses, just like Swift.
According to its official logline, Renaissance: A Film by Beyoncé “is about Beyoncé’s intention, hard work, involvement in every aspect of the production, her creative mind and purpose to create her legacy, and master her craft.”
In addition to featuring the footage from Beyoncé’s latest tour, this concert film will also finally give us a glimpse of music videos she recorded for the long-awaited visual album Renaissance, according to Variety.
Beyoncé’s Renaissance World Tour kicked off in Stockholm, Sweden back in May and it included a total of 56 dates before ending its run in Kansas City, Missouri this Sunday. It made history as the highest-grossing tour by a female artist of all time, in addition to setting the record for the highest one-month gross.
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]]>Beyoncé was the most-nominated artist at this year’s Grammys with nine nods, and she eventually walked away with four awards: best dance/electronic recording (“Break My Soul”), best dance/electronic album (Renaissance), best traditional R&B performance (“Plastic Off the Sofa”) and best R&B song (“Cuff It”).
Harry Styles had to beat tough competition, including Adele, Bad Bunny, and Lizzo, to win the album of the year with Harry’s House. Lizzo missed out on this award, but still had a reason to celebrate after winning record of the year with “About Damn Time”.
Bonnie Raitt delivered one of the night’s most shocking moments when she won song of the year with “Just Like That”. Another surprise came in the best new artist category, with the jazz singer Samara Joy defeating Måneskin, Anitta, and Latto to win this award.
The 65th Annual Grammy Awards were held at the Crypto.com Arena in Los Angeles on February 5, with Trevor Noah hosting the festivities for the third time.
Album of the Year
Harry’s House
Harry Styles
Best New Artist
Samara Joy
Record of the Year
About Damn Time
Lizzo
Song of the Year
Just Like That
Bonnie Raitt
Best Pop Solo Performance
Easy On Me
Adele
Best Dance/Electronic Music Album
Renaissance
Beyoncé
Best Rap Album
Mr. Morale & The Big Steppers
Kendrick Lamar
Best Música Urbana Album
Un Verano Sin Ti
Bad Bunny
Best Pop Duo/Group Performance
Unholy
Sam Smith & Kim Petras
Best Country Song
‘Til You Can’t
Cody Johnson
Best Country Album
A Beautiful Time
Willie Nelson
Best R&B Song
Cuff It
Beyoncé
Best Pop Vocal Album
Harry’s House
Harry Styles
Best Traditional Pop Vocal Album
Higher
Michael Bublé
Best Dance/Electronic Recording
Break My Soul
Beyoncé
Best Rock Performance
Broken Horses
Brandi Carlile
Best Metal Performance
Degradation Rules
Ozzy Osbourne Featuring Tony Iommi
Best Rock Song
Broken Horses
Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
Best Rock Album
Patient Number 9
Ozzy Osbourne
Best Alternative Music Performance
Chaise Longue – Chaise Longue
Wet Leg
Best Alternative Music Album
Wet Leg
Wet Leg
Best R&B Performance
Hrs & Hrs
Muni Long
Best Traditional R&B Performance
Plastic Off the Sofa
Beyoncé
Best Progressive R&B Album
Gemini Rights
Steve Lacy
Best R&B Album
Black Radio III
Robert Glasper
Best Rap Performance
The Heart Part 5
Kendrick Lamar
Best Melodic Rap Performance
WAIT FOR U
Future Featuring Drake & Tems
Best Rap Song
The Heart Part 5
Kendrick Lamar
Best Country Solo Performance
Live Forever
Willie Nelson
Best Country Duo/Group Performance
Never Wanted To Be That Girl
Carly Pearce & Ashley McBryde
Best New Age, Ambient, or Chant Album
Mystic Mirror
White Sun
Best Improvised Jazz Solo
Endangered Species
Wayne Shorter & Leo Genovese, soloist
Best Jazz Vocal Album
Linger Awhile
Samara Joy
Best Jazz Instrumental Album
New Standards Vol. 1
Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton & Matthew Stevens
Best Large Jazz Ensemble Album
Generation Gap Jazz Orchestra
Steven Feifke, Bijon Watson, Generation Gap Jazz Orchestra
Best Latin Jazz Album
Fandango At The Wall In New York
Arturo O’Farrill & The Afro Latin Jazz Orchestra Featuring The Congra Patria Son Jarocho Collective
Best Gospel Performance/Song
Kingdom
Maverick City Music & Kirk Franklin
Best Contemporary Christian Music Performance/Song
Fear Is Not My Future
Maverick City Music & Kirk Franklin
Best Contemporary Christian Music Album
Breathe
Maverick City Music
Best Gospel Album
One Deluxe
Maverick City Music & Kirk Franklin
Best Roots Gospel Album
The Urban Hymnal
Tennessee State University Marching Band
Best Latin Pop Album
Pasieros
Rubén Blades & Boca Livre
Best Latin Rock or Alternative Album
MOTOMAMI
Rosalía
Best Regional Mexican Music Album (Including Tejano)
Un Canto por México – El Musical
Natalia Lafourcade
Best Tropical Latin Album
Pa’lla Voy
Marc Anthony
Best Americana Performance
Made Up Mind
Bonnie Raitt
Best American Roots Performance
Stompin’ Ground
Aaron Neville With The Dirty Dozen Brass Band
Best American Roots Song
Just Like That
Bonnie Raitt
Best Americana Album
In These Silent Days
Brandi Carlile
Best Bluegrass Album
Crooked Tree
Molly Tuttle & Golden Highway
Best Traditional Blues Album
Get On Board
Taj Mahal & Ry Cooder
Best Contemporary Blues Album
Brother Johnny
Edgar Winter
Best Folk Album
Revealer
Madison Cunningham
Best Regional Roots Music Album
Live At The 2022 New Orleans Jazz & Heritage Festival
Ranky Tanky
Best Reggae Album
The Kalling
Kabaka Pyramid
Best Global Music Performance
Bayethe
Wouter Kellerman, Zakes Bantwini & Nomcebo Zikode
Best Global Music Album
Sakura
Masa Takumi
Best Children’s Music Album
The Movement
Alphabet Rockers
Best Audio Book, Narration, and Storytelling Recording
Finding Me
Viola Davis
Best Spoken Word Poetry Album
The Poet Who Sat By The Door
J. Ivy
Best Comedy Album
The Closer
Dave Chappelle
Best Musical Theater Album
Into The Woods (2022 Broadway Cast Recording)
Best Compilation Soundtrack For Visual Media
Encanto
(Various Artists)
Best Score Soundtrack For Visual Media (Includes Film And Television)
Encanto
Best Score Soundtrack for Video Games and Other Interactive Media
Assassin’s Creed Valhalla: Dawn Of Ragnarok
Best Song Written For Visual Media
We Don’t Talk About Bruno [From Encanto]
Best Contemporary Instrumental Album
Empire Central
Snarky Puppy
Best Instrumental Composition
Refuge
Geoffrey Keezer, composer (Geoffrey Keezer)
Best Arrangement, Instrumental or A Cappella
Scrapple From The Apple
John Beasley, arranger (Magnus Lindgren, John Beasley & The SWR Big Band Featuring Martin Aeur)
Best Arrangement, Instruments and Vocals
Songbird (Orchestral Version)
Vince Mendoza, arranger (Christine McVie)
Best Recording Package
Beginningless Beginning
Chun-Tien Hsia & Qing-Yang Xiao, art directors (Tamsui-Kavalan Chinese Orchestra)
Best Boxed Or Special Limited Edition Package
In And Out Of The Garden: Madison Square Garden ’81 ’82 ’83
Lisa Glines, Doran Tyson & Dave Van Patten, art directors (The Grateful Dead)
Best Album Notes
Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)
Bob Mehr, album notes writer (Wilco)
Best Historical Album
Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)
Cheryl Pawelski & Jeff Tweedy, compilation producers; Bob Ludwig, mastering engineer (Wilco)
Songwriter of the Year, Non-Classical
Tobias Jesso Jr.
Best Engineered Album, Non-Classical
Harry’s House
Jeremy Hatcher, Oli Jacobs, Nick Lobel, Mark “Spike” Stent & Sammy Witte, engineers; Randy Merrill, mastering engineer (Harry Styles)
Producer Of The Year, Non-Classical
Jack Antonoff
Best Remixed Recording
About Damn Time (Purple Disco Machine Remix)
Purple Disco Machine, remixer (Lizzo)
Best Immersive Audio Album
Divine Tides
Eric Schilling, immersive mix engineer; Stewart Copeland, Ricky Kej & Herbert Waltl, immersive producers (Stewart Copeland & Ricky Kej)
Best Engineered Album, Classical
Bates: Philharmonia Fantastique – The Making Of The Orchestra
Shawn Murphy, Charlie Post & Gary Rydstrom, engineers; Michael Romanowski, mastering engineer (Edwin Outwater & Chicago Symphony Orchestra)
Producer Of The Year, Classical
Judith Sherman
Best Orchestral Performance
Works By Florence Price, Jessie Montgomery, Valerie Coleman
Michael Repper, conductor (New York Youth Symphony)
Best Opera Recording
Blanchard: Fire Shut Up In My Bones
Yannick Nézet-Séguin, conductor; Angel Blue, Will Liverman, Latonia Moore & Walter Russell III; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
Best Choral Performance
Born
Donald Nally, conductor (Dominic German, Maren Montalbano, Rebecca Myers & James Reese; The Crossing)
Best Chamber Music/Small Ensemble Performance
Shaw: Evergreen
Attacca Quartet
Best Classical Instrumental Solo
Letters For The Future
Time For Three; Xian Zhang, conductor (The Philadelphia Orchestra)
Best Classical Solo Vocal Album
Voice Of Nature – The Anthropocene
Renée Fleming, soloist; Yannick Nézet-Séguin, pianist
Best Classical Compendium
An Adoption Story
Starr Parodi & Kitt Wakeley; Jeff Fair, Starr Parodi & Kitt Wakeley, producers
Best Contemporary Classical Composition
Puts: Contact
Kevin Puts, composer (Xian Zhang, Time for Three & The Philadelphia Orchestra)
Best Music Video
All Too Well: The Short Film
Taylor Swift
Taylor Swift, video director; Saul Germaine, video producer
Best Music Film
Jazz Fest: A New Orleans Story
(Various Artists)
Frank Marshall & Ryan Suffern, video directors; Frank Marshall, Sean Stuart & Ryan Suffern, video producers
Best Song for Social Change
Baraye
Shervin Hajipour
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