With 203,500 equivalent album units earned, Debí Tirar Más Foto soared to No. 1 during its first full tracking week, but the race for No. 1 has been pretty tight. Taylor Swift’s Lover: Live From Paris came in second with 202,500 equivalent album units, just 1,000 units behind Bad Bunny’s latest.

Debí Tirar Más Fotos owes its success to impressive streaming numbers, and it managed to score the largest streaming week for a Latin album since Bad Bunny’s Un Verano Sin Ti. The Puerto Rican superstar also managed to hit No. 1 with El Último Tour Del Mundo and Nadie Sabe Lo Que Va a Pasar Mañana.

Debí Tirar Más Fotos was released on January 5, and it produced a total of 17 brand-new tracks, including singles “El Clúb”, “Pitorro de Coco”, and “Baile Inolvidable”. Bad Bunny will promote it with a 30-day residency at Coliseo de Puerto Rico, and he sold out all 400,000 tickets in just four hours.

With 115,000 equivalent album units earned during its latest week on the chart, Tortured Poets easily returned to No. 1. Gracie Abrams’ sophomore album The Secret of Us was the only real competition it faced this week, with 89,000 equivalent album units earned.

Swift previously managed to spend at least ten weeks atop the Billboard 200 with 1989 and Fearless, and this number is quite impressive. She joins Whitney Houston, The Beatles, Elvis Presley, and The Kingston Trio as only the fifth act to have at least three albums with ten weeks at No. 1 and the first to do so this century.

The Tortured Poets Department and its companion piece The Anthology both hit the shelves on April 19, along with the music video for the lead single “Fortnight” ft. Post Malone. Swift later released several limited-edition variants featuring acoustic covers, demons, and other versions of the songs, which boosted its sales in the weeks to come.

Cowboy Carter climbed to the top with 407,000 equivalent album units earned during its debut week. SEA units comprise 232,000 (equaling 300.41 million official streams), while traditional album sales comprise 168,000, and TEA units comprise 7,000. With 62,000 vinyl copies sold, Cowboy Carter earned Beyoncé her largest week on vinyl.

Queen B also set several personal milestones with Cowboy Carter, which scored her the largest streaming week of her career. It’s also her eighth solo album to hit No. 1 on the Billboard 200 chart, and she tied with Janet Jackson for the fourth-most chart-topping albums among women soloists.

Cowboy Carter also hit No. 1 on Billboard’s Top Country Albums chart, making history as the first album by a female Black artist to rise to the top. She previously became the first Black woman to top the Billboard Hot 100 and Hot Country Songs charts with a country song with its lead single “Texas Hold ‘Em”.

Eternal Sunshine was released on March 8, and it debuted at No. 1 with 227,000 equivalent album units earned upon its debut, including 77,000 in album sales. This is the largest week for an album released in 2024, and it helped Grande score her sixth chart-topping album.

Grande promoted the release of her latest LP with a new single “We Can’t Be Friends (Wait for Your Love)”, which immediately topped the Hot 100 chart. It earned 32.6 million streams, 4.6 million radio airplay audience impressions, and 9,000 in sales during its first week on the chart.

“We Can’t Be Friends” is Grande’s seventh single to debut atop the Hot 100 chart, and this number is quite historic. She surpasses Taylor Swift as a woman with the most No. 1 debuts on this chart.

This is the second single from Eternal Sunshine to debut at No. 1, following the success of “Yes, And?”, helping Grande become the first female artist to ever debut multiple songs from two different albums atop the Hot 100 chart.

1989 (Taylor’s Version) earned the top spot with 136,000 equivalent album units during its fourth week on the chart, joining her former No. 1 albums Midnights and Lover in the top ten. Nicki Minaj was right behind with Minaj’s Pink Friday 2, which earned 100,000 equivalent album units during its second week.

This marks Swift’s 67th week at No. 1 across all 13 of her chart-topping releases, and this number is quite impressive. She ties Elvis Presley for the most weeks at No. 1 among solo artists since Billboard 200 started regularly publishing their weekly chart in 1956. The all-time record is still held by The Beatles, who spent 132 weeks at No. 1 in the United States.

The rest of the Billboard 200 chart this week is mostly occupied by the holiday albums. Michael Bublé’s former No. 1 Christmas took the No. 4 spot with 70,000 units, along with Nat King Cole’s The Christmas Song at No. 8 and Mariah Carey’s Merry Christmas at No. 10.

Even before Swift’s latest re-recording came out, Swift had five albums with over one million copies sold on its debut under her belt: Midnights, Reputation, the original 1989, Red, and Speak Now. 1989 (Taylor’s Version) is her sixth album to cross this number, and she’s the only artist in the history of the Billboard 200 to achieve this feat.

1989 (Taylor’s Version) managed to earn 1.653 million equivalent album units during its first week on the chart, scoring the biggest week since Adele’s 25 in 2015. Traditional album sales comprised 1.359 million units, helping 1989 (Taylor’s Version) score the best-selling week of Swift’s career and sixth overall since Billboard started tracking music sales in 1991.

1989 (Taylor’s Version) was released to rave reviews on October 27, which just happens to be the ninth anniversary of the original album. In addition to featuring reworked versions of such smash hits as “Blank Space”, “Shake It Off”, and “Bad Blood”, this album also produced five new “from the vault” tracks, including “Is It Over Now?” and “Sl-t!”.

With 203,500 equivalent album units earned, Debí Tirar Más Foto soared to No. 1 during its first full tracking week, but the race for No. 1 has been pretty tight. Taylor Swift’s Lover: Live From Paris came in second with 202,500 equivalent album units, just 1,000 units behind Bad Bunny’s latest.

Debí Tirar Más Fotos owes its success to impressive streaming numbers, and it managed to score the largest streaming week for a Latin album since Bad Bunny’s Un Verano Sin Ti. The Puerto Rican superstar also managed to hit No. 1 with El Último Tour Del Mundo and Nadie Sabe Lo Que Va a Pasar Mañana.

Debí Tirar Más Fotos was released on January 5, and it produced a total of 17 brand-new tracks, including singles “El Clúb”, “Pitorro de Coco”, and “Baile Inolvidable”. Bad Bunny will promote it with a 30-day residency at Coliseo de Puerto Rico, and he sold out all 400,000 tickets in just four hours.

With 115,000 equivalent album units earned during its latest week on the chart, Tortured Poets easily returned to No. 1. Gracie Abrams’ sophomore album The Secret of Us was the only real competition it faced this week, with 89,000 equivalent album units earned.

Swift previously managed to spend at least ten weeks atop the Billboard 200 with 1989 and Fearless, and this number is quite impressive. She joins Whitney Houston, The Beatles, Elvis Presley, and The Kingston Trio as only the fifth act to have at least three albums with ten weeks at No. 1 and the first to do so this century.

The Tortured Poets Department and its companion piece The Anthology both hit the shelves on April 19, along with the music video for the lead single “Fortnight” ft. Post Malone. Swift later released several limited-edition variants featuring acoustic covers, demons, and other versions of the songs, which boosted its sales in the weeks to come.

Cowboy Carter climbed to the top with 407,000 equivalent album units earned during its debut week. SEA units comprise 232,000 (equaling 300.41 million official streams), while traditional album sales comprise 168,000, and TEA units comprise 7,000. With 62,000 vinyl copies sold, Cowboy Carter earned Beyoncé her largest week on vinyl.

Queen B also set several personal milestones with Cowboy Carter, which scored her the largest streaming week of her career. It’s also her eighth solo album to hit No. 1 on the Billboard 200 chart, and she tied with Janet Jackson for the fourth-most chart-topping albums among women soloists.

Cowboy Carter also hit No. 1 on Billboard’s Top Country Albums chart, making history as the first album by a female Black artist to rise to the top. She previously became the first Black woman to top the Billboard Hot 100 and Hot Country Songs charts with a country song with its lead single “Texas Hold ‘Em”.

Eternal Sunshine was released on March 8, and it debuted at No. 1 with 227,000 equivalent album units earned upon its debut, including 77,000 in album sales. This is the largest week for an album released in 2024, and it helped Grande score her sixth chart-topping album.

Grande promoted the release of her latest LP with a new single “We Can’t Be Friends (Wait for Your Love)”, which immediately topped the Hot 100 chart. It earned 32.6 million streams, 4.6 million radio airplay audience impressions, and 9,000 in sales during its first week on the chart.

“We Can’t Be Friends” is Grande’s seventh single to debut atop the Hot 100 chart, and this number is quite historic. She surpasses Taylor Swift as a woman with the most No. 1 debuts on this chart.

This is the second single from Eternal Sunshine to debut at No. 1, following the success of “Yes, And?”, helping Grande become the first female artist to ever debut multiple songs from two different albums atop the Hot 100 chart.

1989 (Taylor’s Version) earned the top spot with 136,000 equivalent album units during its fourth week on the chart, joining her former No. 1 albums Midnights and Lover in the top ten. Nicki Minaj was right behind with Minaj’s Pink Friday 2, which earned 100,000 equivalent album units during its second week.

This marks Swift’s 67th week at No. 1 across all 13 of her chart-topping releases, and this number is quite impressive. She ties Elvis Presley for the most weeks at No. 1 among solo artists since Billboard 200 started regularly publishing their weekly chart in 1956. The all-time record is still held by The Beatles, who spent 132 weeks at No. 1 in the United States.

The rest of the Billboard 200 chart this week is mostly occupied by the holiday albums. Michael Bublé’s former No. 1 Christmas took the No. 4 spot with 70,000 units, along with Nat King Cole’s The Christmas Song at No. 8 and Mariah Carey’s Merry Christmas at No. 10.

Even before Swift’s latest re-recording came out, Swift had five albums with over one million copies sold on its debut under her belt: Midnights, Reputation, the original 1989, Red, and Speak Now. 1989 (Taylor’s Version) is her sixth album to cross this number, and she’s the only artist in the history of the Billboard 200 to achieve this feat.

1989 (Taylor’s Version) managed to earn 1.653 million equivalent album units during its first week on the chart, scoring the biggest week since Adele’s 25 in 2015. Traditional album sales comprised 1.359 million units, helping 1989 (Taylor’s Version) score the best-selling week of Swift’s career and sixth overall since Billboard started tracking music sales in 1991.

1989 (Taylor’s Version) was released to rave reviews on October 27, which just happens to be the ninth anniversary of the original album. In addition to featuring reworked versions of such smash hits as “Blank Space”, “Shake It Off”, and “Bad Blood”, this album also produced five new “from the vault” tracks, including “Is It Over Now?” and “Sl-t!”.